The
Vampire, The Witch and The Dysfunctional Family
Horror-comedy
involving various supernatural creatures, this is Tim Burton at his best.
Burton does not set to direct perfect films he directs how he sees them, he and
Johnny Depp really treated this film like their baby. Having not seen the
original yet, so not knowing how faithful it is this review is judging this as
a stand-alone.
The cast
and characters are all excellent they all have their moment to shine. Johnny
Depp is excellent as always not his best performance however he clearly cares
about the Barnabas Collins character. Eva Green is like an exaggerated version
of Glenn Close from Fatal Attraction, perfect choice as the evil witch.
Michelle Pfeiffer is wonderful as the family matriarch Elizabeth, this woman
does not seem to age. Chloe Moretz is great as a moody teenager, clearly hiding
a secret. Bella Heathcote is lovely as Victoria/Josette, so sweet and likeable
it is no question why Barnabas falls in love with her. Helena Bonham Carter is
hilarious as an alcoholic doctor, Johnny Lee Miller is great as a selfish
low-life, Jackie Earl Haley is well cast in a small but effective role as a
scruffy caretaker.
Tim
Burton’s visual work amazingly as usual, every shot in the film is beautiful
and artistic. The film is not as over colourful the advertising makes it out to
be, just in certain parts, a lot of the colours are actually washed out, in a
good way so you won’t get a headache. The songs used in the trailers are
present in the film, not in the same context, mainly during short montages and
they are not overlong as many people are making them out to be. The Collins
mansion is very well design, it almost a character itself in the film. The
opening credits are very simple compared to Burton’s usual opening credits,
which is simply following Heathcote through her journey to the Collins with
Nights in White Satin playing.
Any
criticisms I can think are nit-picks; looking at it from a critical
point-of-view the mixed reception is understandable. As a big fan of shows like
Buffy and True Blood, and just like them you can nit-pick this film till you
bleed but that is missing the point. It's not meant to be taken seriously, it's
over-the-top, it's fun, it's got clichés and some decent metaphors involving
family problems.
The climax
was awesome and over-the-top action and CGI. It kind of reminded me of Jan De
Bont’s remake of The Haunting, I know it’s a bad comparison because that film
is horrible, however it works here because Jan De Bont expected his audience to
take it seriously; Burton does not he knew his film was silly and took
advantage of it. There are complaints of the climax involving a twist of Chloe
Moretz’s character, yeah it’s very sudden but has a great metaphor behind it,
especially when Pfeiffer finds out. The CGI effects are quite obvious, however
it fits the tone so you won’t care; it’s still 10x better than The Haunting.
If I had to
nit-pick I would say that because there is so many characters their moments
felt kind of forced and rushed but I expected that, the story is very slight
but this isn't meant to be Memento, and it does feel like it ends too suddenly
but it's kind of bittersweet. And leaves it open for a sequel or let you decide
what happens next.
This film
is an escape not meant to be picked apart, just to be enjoyed with an extra
large popcorn. After all films are made for entertainment, it doe not have to
teach lessons, make sense or be analysed. Just play to your certain interests,
that's where the film succeeds.
